Two horses- Papercuts
Two horses heads emerge in a tightly interwoven vertical composition, built from black and white paper shapes that alternate between stripe and silhouette. The collage relies on crisp cut edges and strong positive-negative contrast to define each gaze and contour. Graphic, rhythmic, and self-assured, it brings sharp visual energy to a modern interior.
Maya Golk Apter
My work unfolds in the elusive space between memory and fiction, between personal experience and family or collective myths. The geographical and emotional starting point of my art is rooted in La Peรฑa Laraโa secluded island on the Rรญo Capitรกn in the Tigre Delta, Argentina. It is the place where I grew up, and which, over the years, has transformed from a tangible landscape into an internal, mythical, charged, and persistent one. In recent years, I have focused on the medium of paper cutting, working in a free, manual, and intuitive manner.
My work unfolds in the elusive space between memory and fiction, between personal experience and family or collective myths. The geographical and emotional starting point of my art is rooted in La Peรฑa Laraโa secluded island on the Rรญo Capitรกn in the Tigre Delta, Argentina. It is the place where I grew up, and which, over the years, has transformed from a tangible landscape into an internal, mythical, charged, and persistent one. In recent years, I have focused on the medium of paper cutting, working in a free, manual, and intuitive manner.
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