
Two Horses in Silhouette- Papercuts
A horse and fish emerge through sharply cut black and white shapes, their heads turned toward one another across a structured, divided composition. Built in paper collage, the work uses crisp edges and strong contrast to create rhythm, movement, and graphic clarity. The result is bold yet controlled, with a modern presence that suits a clean, contemporary interior.

Maya Golk Apter
My work unfolds in the elusive space between memory and fiction, between personal experience and family or collective myths. The geographical and emotional starting point of my art is rooted in La Peรฑa Laraโa secluded island on the Rรญo Capitรกn in the Tigre Delta, Argentina. It is the place where I grew up, and which, over the years, has transformed from a tangible landscape into an internal, mythical, charged, and persistent one. In recent years, I have focused on the medium of paper cutting, working in a free, manual, and intuitive manner.
My work unfolds in the elusive space between memory and fiction, between personal experience and family or collective myths. The geographical and emotional starting point of my art is rooted in La Peรฑa Laraโa secluded island on the Rรญo Capitรกn in the Tigre Delta, Argentina. It is the place where I grew up, and which, over the years, has transformed from a tangible landscape into an internal, mythical, charged, and persistent one. In recent years, I have focused on the medium of paper cutting, working in a free, manual, and intuitive manner.