אור בחצר הלבנה
דמות עטופה בלבן ניצבת בחצר רחבת ידיים, מוקפת כיפות, קשתות ומינרט גבוה תחת שמיים כחולים ובהירים. הצילום יוצר איזון מדויק בין הקצב האדריכלי לבין המרחב הפתוח, עם חדות נקייה וניגוד עדין של אור על המשטח המבריק. הפלטה המצומצמת והקומפוזיציה השקולה מעניקות לעבודה תחושה שקטה, צלולה ומהורהרת.
אייל ביטרמן
Eyal Bitterman (1975) Photography, for Eyal, is a way to pause, observe, and capture the meeting between light and shadow, between people and their surroundings, and between beauty and the cracks that life leaves behind. As an art director in film and television , this visual language accompanies him behind the camera as well, in search of the story hidden within each frame. Through photographs of people, street life, nature, and architecture, his goal is not to show the world as it appears, but to convey the emotions each moment evoked within him.
Eyal Bitterman (1975) Photography, for Eyal, is a way to pause, observe, and capture the meeting between light and shadow, between people and their surroundings, and between beauty and the cracks that life leaves behind. As an art director in film and television , this visual language accompanies him behind the camera as well, in search of the story hidden within each frame. Through photographs of people, street life, nature, and architecture, his goal is not to show the world as it appears, but to convey the emotions each moment evoked within him.
יצירות דומות
