צללים בין דקל ובתים
דקל כהה ממלא את קדמת התמונה, וצלליו הארוכים נמתחים על הקרקע לעבר מבנה מדברי ורכס הרים מרוחק. ההדפסה על נייר מדגישה את הקווים החדים של האדריכלות לצד הרישום העדין שיוצרים ענפי הדקל. גוני האדמה והמרחב הפתוח מעניקים לעבודה שקט מהורהר, המתאים לסלון, לפינת אוכל או למשרד.
אייל ביטרמן
Eyal Bitterman (1975) Photography, for Eyal, is a way to pause, observe, and capture the meeting between light and shadow, between people and their surroundings, and between beauty and the cracks that life leaves behind. As an art director in film and television , this visual language accompanies him behind the camera as well, in search of the story hidden within each frame. Through photographs of people, street life, nature, and architecture, his goal is not to show the world as it appears, but to convey the emotions each moment evoked within him.
Eyal Bitterman (1975) Photography, for Eyal, is a way to pause, observe, and capture the meeting between light and shadow, between people and their surroundings, and between beauty and the cracks that life leaves behind. As an art director in film and television , this visual language accompanies him behind the camera as well, in search of the story hidden within each frame. Through photographs of people, street life, nature, and architecture, his goal is not to show the world as it appears, but to convey the emotions each moment evoked within him.
יצירות דומות
