שיחה באור אחר הצהריים
צילום אמנותי בעל איכות קולנועית, הלוכד רגע אינטימי בבית קפה דרך מפגש חד בין צל כבד לאור אחר צהריים זהוב. ההדפס על נייר בנוי בקומפוזיציה מדויקת של חלל כהה מול כתמי אדום בולטים ודמות מוארת במרכז, ומייצר סצנה עירונית עכשווית עם שקט, מסתורין ונוכחות חזקה.
אייל ביטרמן
Eyal Bitterman (1975) Photography, for Eyal, is a way to pause, observe, and capture the meeting between light and shadow, between people and their surroundings, and between beauty and the cracks that life leaves behind. As an art director in film and television , this visual language accompanies him behind the camera as well, in search of the story hidden within each frame. Through photographs of people, street life, nature, and architecture, his goal is not to show the world as it appears, but to convey the emotions each moment evoked within him.
Eyal Bitterman (1975) Photography, for Eyal, is a way to pause, observe, and capture the meeting between light and shadow, between people and their surroundings, and between beauty and the cracks that life leaves behind. As an art director in film and television , this visual language accompanies him behind the camera as well, in search of the story hidden within each frame. Through photographs of people, street life, nature, and architecture, his goal is not to show the world as it appears, but to convey the emotions each moment evoked within him.
יצירות דומות
