הפינה הוורודה במעבר
סצנה עירונית רחבה מציבה במרכז בניין פינתי ורוד, כשבחזית נפרש הקצב האלכסוני והבולט של מעבר החצייה. הטיפול הצילומי מרכך את הצבעוניות לגוני אפור, ורוד מעושן וצללים כהים, ומאזן בין פרטי האדריכלות לבין הנוכחות החולפת של חיי הרחוב. זו עבודה עם אופי אורבני מדויק ושקט, שתתאים לחלל עכשווי.
אייל ביטרמן
Eyal Bitterman (1975) Photography, for Eyal, is a way to pause, observe, and capture the meeting between light and shadow, between people and their surroundings, and between beauty and the cracks that life leaves behind. As an art director in film and television , this visual language accompanies him behind the camera as well, in search of the story hidden within each frame. Through photographs of people, street life, nature, and architecture, his goal is not to show the world as it appears, but to convey the emotions each moment evoked within him.
Eyal Bitterman (1975) Photography, for Eyal, is a way to pause, observe, and capture the meeting between light and shadow, between people and their surroundings, and between beauty and the cracks that life leaves behind. As an art director in film and television , this visual language accompanies him behind the camera as well, in search of the story hidden within each frame. Through photographs of people, street life, nature, and architecture, his goal is not to show the world as it appears, but to convey the emotions each moment evoked within him.
יצירות דומות
