סירה על אגם הרים
סירת עץ מונחת בקדמת התמונה לצד מבנה על שפת האגם, ומעבר לה נפרשים מים שקטים, מפרשיות רחוקות וקו הרים רך באובך. הצילום בנוי מאור זהוב מסונן, מעברי טון עדינים ואווירה מעט נוסטלגית, שמעניקים לנוף תחושת שקט והתבוננות. הפלטה החמה והמאופקת תתאים לחללים רגועים ואינטימיים.
אייל ביטרמן
Eyal Bitterman (1975) Photography, for Eyal, is a way to pause, observe, and capture the meeting between light and shadow, between people and their surroundings, and between beauty and the cracks that life leaves behind. As an art director in film and television , this visual language accompanies him behind the camera as well, in search of the story hidden within each frame. Through photographs of people, street life, nature, and architecture, his goal is not to show the world as it appears, but to convey the emotions each moment evoked within him.
Eyal Bitterman (1975) Photography, for Eyal, is a way to pause, observe, and capture the meeting between light and shadow, between people and their surroundings, and between beauty and the cracks that life leaves behind. As an art director in film and television , this visual language accompanies him behind the camera as well, in search of the story hidden within each frame. Through photographs of people, street life, nature, and architecture, his goal is not to show the world as it appears, but to convey the emotions each moment evoked within him.
