בין אופניים לצללים
צילום אורבני מהורהר שתופס רגע יומיומי מתחת למבנה חזרתי של קווים וצל. הצטברות האופניים, המקצב האדריכלי והדמות הכפופה במרכז יוצרים עומק, תנועה וסיפור שקט אך נוכח. עבודה צילומית המודפסת על נייר ומשלבת מבט תיעודי עם תחושה אמנותית מדויקת.
אייל ביטרמן
Eyal Bitterman (1975) Photography, for Eyal, is a way to pause, observe, and capture the meeting between light and shadow, between people and their surroundings, and between beauty and the cracks that life leaves behind. As an art director in film and television , this visual language accompanies him behind the camera as well, in search of the story hidden within each frame. Through photographs of people, street life, nature, and architecture, his goal is not to show the world as it appears, but to convey the emotions each moment evoked within him.
Eyal Bitterman (1975) Photography, for Eyal, is a way to pause, observe, and capture the meeting between light and shadow, between people and their surroundings, and between beauty and the cracks that life leaves behind. As an art director in film and television , this visual language accompanies him behind the camera as well, in search of the story hidden within each frame. Through photographs of people, street life, nature, and architecture, his goal is not to show the world as it appears, but to convey the emotions each moment evoked within him.
יצירות דומות
