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"The Upside-Down and the Edge"
"The Upside-Down and the Edge" 1
"The Upside-Down and the Edge" 2
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"The Upside-Down and the Edge"

Michal Inbar

$1,167

Reflection and Echo Through the camera lens, a fleeting moment of clarity unfolds, blurring the boundaries between worlds. Blue skies and massive, soft white clouds look down, finding their twin image in the calm waters of the sea. The dark breakwater becomes a thin seam—the edge where two vast spaces meet. The reality above the water reflects within it, creating an upside-down mirror image: the depths of the sky lie beneath your feet, and the solid sand kisses the passing clouds. For a brief second, it feels like there is no more up or down, only a single space where each side reflects the other's face. "As in water face reflects face, so a man’s heart reflects the man." (Proverbs 27:19) This verse opens the image up to the secret of human connection. When we look at another person, we don't just meet them—we meet something of ourselves. The other person’s gaze can return to us parts of ourselves we couldn't see alone; whatever they bring to the encounter suddenly becomes a mirror to something already alive within us. This is how a reflection becomes an echo. Something in us reaches out toward the other, something from them returns to us, and a discovery is born in the space between. Not because both sides are identical, but precisely because each remains itself while becoming a mirror for the other. The secret of the edge—the edge is not an end, nor is it just a border. It is the meeting point where two spaces can draw close without erasing one another. The sky stays the sky, the water stays the water, yet they become mirror images. The separation doesn't vanish—it becomes the very place that allows for connection. The fisherman standing there is a symbol of a person who constantly finds themselves on these meeting lines: between the inside and the outside, the known and the hidden, between what we know about ourselves and what life reflects back to us through others. For the water to carry the image of the sky, it needs stillness. When the water’s surface is stormy, the sky is still there, but its reflection disappears. In the same way, stillness in a person doesn't create the reflection—it simply allows us to see it, and to embody it. What we perceive as an upside-down reversal turns out to be one complete whole. The sky and the water look at each other, and each discovers the other inside themselves. A similar thing can happen in human encounters: seeing the other, and within that sight, discovering something deeper within ourselves. The blessing hidden in this image is the blessing of encounter and connection—the ability to reach the edge and discover that it is not a place of parting, but the place where two can truly meet. To be with another with enough stillness to truly see them, and to remain open to what the meeting reveals about ourselves. To reflect, be reflected, and let something new echo within us. At the edge, where two worlds meet, the deepest connection is revealed. The edge does not divide—it is the point of connection. Photograph, Paper, Glass, Frame 40x60 cm 50x70 cm,60x90 cm, 70x100 cm

Size: 50 W x 70 H cm

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Michal Inbar

Michal Inbar

Michal Inbar (married with 4 children) creates life through nature. Based in Gita, a communal settlement in the Western Galilee right on the edge of a wild nature reserve, Michal’s childhood was shaped by her Yemeni grandfather. He gifted her a deep inner peace and the ability to observe and converse with creation. In her youth, she danced, capturing life through her eyes out of living, breathing movement. About six years ago, she decided to uncover the secrets of nature and elevate them through art. The combination of time and place seen through Michal’s lens conveys a sense of connection to a space and time that live within the observer. These days, Michal is establishing "Beit Bracha" (House of Blessing)—a creative sanctuary that explores the hidden and the secret within the revealed, allowing viewers to open whatever window reveals itself to them at that moment. Revealing the Hidden: A Look Within My art is born out of a desire and a calling to discover beauty and an anchor within a chaotic, challenging, and turbulent daily reality. In a space where the soul searches for meaning, the camera serves as my tool for inner journeys of listening and discovery—moments where a vision emerges, reminding us of another quiet, internal world that exists right here within our own. I invite the observer on a journey of shifting consciousness through two main movements. The first is macro photography, penetrating deep into the heart of things—into tiny textures and secrets that often escape the human eye. The second is a wider, more open view of the landscape and space. At times, my eye is drawn to objects whose initial identity is not immediately clear. By doing so, they invite the viewer to peel back layers of habit, look anew, and discover a fresh wonder within the familiar. Each photograph is presented in two parallel formats: one stands alone as a clean image, and the other is accompanied by text—a verse from spiritual and sacred writings, or from internal poetry that rises from the depth of things. This combination is not meant to explain the image, but rather to create a space for resonance. The image and the word are interwoven to provoke thought, open the heart, and allow the observer to step inside—beyond what is visible to the eye, but revealed to the subtle heart.