Music on the broadwalk
Two elongated figures stand beside a diagonal run of piano keys, surrounded by sweeping dark marks and soft fields of gray. Charcoal on paper gives the composition its smoky depth, with rubbed passages, bold contour lines, and tonal contrasts that keep the scene fluid and expressive. The result is intimate and slightly theatrical, with a strong sense of rhythm and atmosphere.
Gilad Pianko
I have been painting for about 6 years, half-didact, half-autodidact (painting in an association - no higher education). I paint and draw from impulses, most of the time I don't know what I intend to paint when I go to work. I don't make an initial sketch and I don't paint from observation. I suffer from dissociation "disconnection" due to post-traumatic stress disorder, so it's very easy for me to cancel the "I" when I paint. While working and at the end of the work, I learn a lot about myself, whether in matters related to my past or another layer of my personality.
I have been painting for about 6 years, half-didact, half-autodidact (painting in an association - no higher education). I paint and draw from impulses, most of the time I don't know what I intend to paint when I go to work. I don't make an initial sketch and I don't paint from observation. I suffer from dissociation "disconnection" due to post-traumatic stress disorder, so it's very easy for me to cancel the "I" when I paint. While working and at the end of the work, I learn a lot about myself, whether in matters related to my past or another layer of my personality.
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