Figures with francis bacon
Two elongated figures stand close together against a dark ground washed with pink, their faces and bodies built from looping contour lines and broad passages of ochre, black, and gray. The oil surface feels immediate and physical, with gestural brushwork and scraped marks that keep the forms in motion. It creates a charged, introspective presence with a distinctly contemporary edge.
Gilad Pianko
I have been painting for about 6 years, half-didact, half-autodidact (painting in an association - no higher education). I paint and draw from impulses, most of the time I don't know what I intend to paint when I go to work. I don't make an initial sketch and I don't paint from observation. I suffer from dissociation "disconnection" due to post-traumatic stress disorder, so it's very easy for me to cancel the "I" when I paint. While working and at the end of the work, I learn a lot about myself, whether in matters related to my past or another layer of my personality.
I have been painting for about 6 years, half-didact, half-autodidact (painting in an association - no higher education). I paint and draw from impulses, most of the time I don't know what I intend to paint when I go to work. I don't make an initial sketch and I don't paint from observation. I suffer from dissociation "disconnection" due to post-traumatic stress disorder, so it's very easy for me to cancel the "I" when I paint. While working and at the end of the work, I learn a lot about myself, whether in matters related to my past or another layer of my personality.
