No brush
No Brush is an exploration of painting in its most primal form. Without brushes, without tools, and without any barrier between the artist and the material, the work was born through the direct contact of bare hands with paint and canvas. The textures created through this direct touch reveal the physical connection between the human body and the paint, imbuing the work with a sense of freedom, intuition, and spontaneity. The painting invites the viewer to look beyond form and recognize the action behind it—the moment when the painting ceases to be an object and becomes a record of movement, presence, and unrestrained creation.
Yogev Abutbul
A painter active in the field for about a decade, residing and operating a studio in Ramat Gan. He completed seven years of academic painting and drawing studies under the artist David Boskovich. He creates using oil, acrylic, and precise pencil drawings, with his work process deeply influenced by the tempera technique. Even when working with other materials, his approach to painting is based on layering, creating a base where light emerges from beneath the color, and using glazes to produce depth, transparency, and unexpected color combinations. He draws his main inspiration from nature, alongside spatial and three-dimensional thinking that is reflected in his artworks. The purpose of his paintings is to evoke emotion. Each piece is an invitation for the viewer to pause for a moment, step into the painted space, and find a connection to their own personal world.
A painter active in the field for about a decade, residing and operating a studio in Ramat Gan. He completed seven years of academic painting and drawing studies under the artist David Boskovich. He creates using oil, acrylic, and precise pencil drawings, with his work process deeply influenced by the tempera technique. Even when working with other materials, his approach to painting is based on layering, creating a base where light emerges from beneath the color, and using glazes to produce depth, transparency, and unexpected color combinations. He draws his main inspiration from nature, alongside spatial and three-dimensional thinking that is reflected in his artworks. The purpose of his paintings is to evoke emotion. Each piece is an invitation for the viewer to pause for a moment, step into the painted space, and find a connection to their own personal world.
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