New Danaë

A nude woman sits in an armchair, her body flooded with light. Here, light is not merely a means of illumination but an active compositional element: it does not simply reveal the figure, but penetrates it, dissolving the boundaries of form and emphasizing a state of openness. Referring to the classical subject, the work abandons narrative and mythological gesture. Danaë is presented not as an object of gift or gaze, but as an autonomous presence, in which light becomes an independent force — a substitute for myth and a bearer of meaning.