My Second Chilhood
A captivating piece that engages in a direct visual dialogue with Piet Mondrian’s geometric modernism. Featuring two human profiles facing each other, the artwork embeds the iconic grid of bold black lines and primary colors—red, yellow, and blue. At the heart of each profile lies a deep black core revealing delicate, semi-translucent white line drawings inspired by innocent children's art. The composition creates a powerful contrast between rigid, calculated structure and the uninhibited inner world of memory, imagination, and childlike wonder. Framed.
Vera Kunis
My work emerges at the intersection of rigid data logic and the absolute freedom of imagination. As a Data Engineer, my daily life is built on structures, patterns, and strict definitions. Art is where these boundaries completely dissolve - a space of pure liberation, movement, and spontaneity. My style moves along the seam between abstract and naive art. Through intuitive brushstrokes, organic composition on canvas, and a bold color palette, I re-engage with the inner child-that innocent, curious, and uninhibited space driven by pure emotion. Color is my primary language, expressing what words and code cannot. My choice of medium adapts to the essence of each piece: watercolors for lightness and airiness, acrylics for vibrant dominance, and oils to convey depth, texture, and weight. Over the past year, my work has been featured in two solo and two group exhibitions, finding homes with diverse art collectors and enthusiasts. The ongoing dialogue between my paintings and their viewers reinforces my belief in art's power to bridge opposing worlds - the calculated and the spontaneous, technical precision and raw emotional instinct.
My work emerges at the intersection of rigid data logic and the absolute freedom of imagination. As a Data Engineer, my daily life is built on structures, patterns, and strict definitions. Art is where these boundaries completely dissolve - a space of pure liberation, movement, and spontaneity. My style moves along the seam between abstract and naive art. Through intuitive brushstrokes, organic composition on canvas, and a bold color palette, I re-engage with the inner child-that innocent, curious, and uninhibited space driven by pure emotion. Color is my primary language, expressing what words and code cannot. My choice of medium adapts to the essence of each piece: watercolors for lightness and airiness, acrylics for vibrant dominance, and oils to convey depth, texture, and weight. Over the past year, my work has been featured in two solo and two group exhibitions, finding homes with diverse art collectors and enthusiasts. The ongoing dialogue between my paintings and their viewers reinforces my belief in art's power to bridge opposing worlds - the calculated and the spontaneous, technical precision and raw emotional instinct.
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