
Messenger of a moment
I often find myself thinking about this tension, between what remains fixed and stable and what comes to shake everything up in a single moment. There is something in this painting that feels like an encounter between worlds: this statue, which looks as though it is made of old stone or metal that has already absorbed time, stands there quietly as if it belongs to a distant past that is going nowhere. And opposite it, the raven that arrives out of nowhere and strikes a small match right on its head—one that is entirely a living, warm flame, yet also temporary and perishable. It is as if this is the moment when routine tries to wake up, or some sudden new idea falls upon someone who has stayed stuck in the same place for too long. The window in the background opens outward to a green, vast world, but they are right there inside, caught up in this small, strange drama.

Yuval Ben shlosh
There is something a little dark in my paintings. I love crows and expressing difficult emotions. Every painting expresses an emotional part of me. I like to paint realistically and as accurately as possible, playing with colors and depths. I usually paint with oil paints. I also paint on a tablet where I draw and experiment with everything. When I tattoo, I work according to the client's wishes, but I especially like to be given a free hand.
There is something a little dark in my paintings. I love crows and expressing difficult emotions. Every painting expresses an emotional part of me. I like to paint realistically and as accurately as possible, playing with colors and depths. I usually paint with oil paints. I also paint on a tablet where I draw and experiment with everything. When I tattoo, I work according to the client's wishes, but I especially like to be given a free hand.

