
Figure Above the Gaze
A large upward-facing profile fills the composition, while a small rider-like figure appears near the forehead amid flashes of yellow, red, and black. Marker builds broad fields of color alongside assertive contours and hand-drawn crosshatching, giving the paper an immediate, rhythmic surface. The dramatic shift in scale creates an energetic, playful, and slightly mysterious presence suited to a living room or office wall.

HODAYA AVITON
I create in a deeply intuitive way. My artworks begin with something that happens within me a feeling, a thought, a question, or a personal experience. From there, they move outward and meet the world. It is precisely the encounter between my inner world and the external world and sometimes the tension between the two that inspires my work. From this space emerge questions that continuously occupy me: Who are we? What do we believe in? Where do we belong? And how do love, identity, religion, and faith shape the way we see ourselves and the world around us? My creative process is long and multi-layered. It begins with traditional materials, where I create a pencil drawing. I then photograph the work, digitally paint and edit it using professional software, integrate AI as part of the creative process, refine it through further digital editing, and finally produce a high-quality print. Some works are completed with hand-applied markers and paint, adding additional shading, texture, and depth, making each piece unique. I do not always know where a work will lead me. Sometimes I begin with one emotion and discover something entirely different by the end of the process. Perhaps that is why, for me, every artwork becomes a gateway to a world I have not yet discovered.
I create in a deeply intuitive way. My artworks begin with something that happens within me a feeling, a thought, a question, or a personal experience. From there, they move outward and meet the world. It is precisely the encounter between my inner world and the external world and sometimes the tension between the two that inspires my work. From this space emerge questions that continuously occupy me: Who are we? What do we believe in? Where do we belong? And how do love, identity, religion, and faith shape the way we see ourselves and the world around us? My creative process is long and multi-layered. It begins with traditional materials, where I create a pencil drawing. I then photograph the work, digitally paint and edit it using professional software, integrate AI as part of the creative process, refine it through further digital editing, and finally produce a high-quality print. Some works are completed with hand-applied markers and paint, adding additional shading, texture, and depth, making each piece unique. I do not always know where a work will lead me. Sometimes I begin with one emotion and discover something entirely different by the end of the process. Perhaps that is why, for me, every artwork becomes a gateway to a world I have not yet discovered.