
the desserts series #2
A photographed table setting of cake, cutlery, and scattered food is interrupted by vivid pink passages, angular red structures, and looping black contours. The mixed-media treatment combines printed imagery with drawn and painted marks, shifting familiar domestic objects toward abstraction. Its layered, playful tension makes it a lively choice for a dining area, kitchen, or creative workspace.

Alma Mia Hadas
I believe in Minimalism, in accuracy, in purification. My work is a comprehensive attempt to isolate the very moment in which action is initial to thought- a quest for the muscle that is engaged prior to cognitive decision. I deliberately avoid any figurative marks, allowing the work to always be widely open for self interpretation. My consciousness of being a vessel during the process of work, is what drives this search after the pure Abstract Expressionism.
I believe in Minimalism, in accuracy, in purification. My work is a comprehensive attempt to isolate the very moment in which action is initial to thought- a quest for the muscle that is engaged prior to cognitive decision. I deliberately avoid any figurative marks, allowing the work to always be widely open for self interpretation. My consciousness of being a vessel during the process of work, is what drives this search after the pure Abstract Expressionism.

