
Graffiti Lane Passage
A narrow city lane unfolds between tall buildings, its walls layered with graffiti, posters, shutters, and storefront details while two pedestrians move through the center. The photographic composition uses the receding street to pull the eye inward, balancing earthy architecture with pockets of vivid color. It carries an observant, lived-in urban atmosphere that suits contemporary interiors.

Eyal Bitterman
ืืืื ืืืืจืื (1975) ืืฆืืืื ืขืืืจ ืืืื ืืื ืืจื ืืขืฆืืจ, ืืืชืืื ื ืืืืืื ืืช ืืืคืืฉ ืฉืืื ืืืจ ืืฆื, ืืื ืืื ืืกืืืื ืืืื ืืืืคื ืืกืืงืื ืฉืืืืื ืืฉืืืจืื. ืืืขืฆื ืืื ืืชื ืืงืืื ืืข ืืืืืืืืืื, ืืฉืคื ืืืืืืืืืืช ืืืืื ืืืชื ืื ืืืืืจื ืืืฆืืื, ืืืืคืืฉ ืืืจ ืืกืืคืืจ ืฉืืกืชืชืจ ืืื ืคืจืืื. ืืจื ืฆืืืืื ืื ืฉืื, ืจืืื, ืืืข ืืืืจืืืืืช, ืืืจืชื ืืื ื ืืืจืืืช ืืืฆื ืืขืืื ื ืจืื, ืืื ืืืขืืืจ ืืช ืืชืืืฉื ืืืจืืฉ ืฉืืืชืืจ ืื ืืืชื ืืจืืข.
ืืืื ืืืืจืื (1975) ืืฆืืืื ืขืืืจ ืืืื ืืื ืืจื ืืขืฆืืจ, ืืืชืืื ื ืืืืืื ืืช ืืืคืืฉ ืฉืืื ืืืจ ืืฆื, ืืื ืืื ืืกืืืื ืืืื ืืืืคื ืืกืืงืื ืฉืืืืื ืืฉืืืจืื. ืืืขืฆื ืืื ืืชื ืืงืืื ืืข ืืืืืืืืืื, ืืฉืคื ืืืืืืืืืืช ืืืืื ืืืชื ืื ืืืืืจื ืืืฆืืื, ืืืืคืืฉ ืืืจ ืืกืืคืืจ ืฉืืกืชืชืจ ืืื ืคืจืืื. ืืจื ืฆืืืืื ืื ืฉืื, ืจืืื, ืืืข ืืืืจืืืืืช, ืืืจืชื ืืื ื ืืืจืืืช ืืืฆื ืืขืืื ื ืจืื, ืืื ืืืขืืืจ ืืช ืืชืืืฉื ืืืจืืฉ ืฉืืืชืืจ ืื ืืืชื ืืจืืข.