Blue Horses
A gathering of mythical horses emerges from a dense field of cobalt blue, their faces, articulated through sweeping white openings. Precise papercutting turns negative space into bold, rhythmic linework, balancing the central figure with animals appearing around the edges. The limited palette and energetic pattern create a graphic, playful presence suited to a living room, dining area, or office.
Maya Golk Apter
My work unfolds in the elusive space between memory and fiction, between personal experience and family or collective myths. The geographical and emotional starting point of my art is rooted in La Peña Lara—a secluded island on the Río Capitán in the Tigre Delta, Argentina. It is the place where I grew up, and which, over the years, has transformed from a tangible landscape into an internal, mythical, charged, and persistent one. In recent years, I have focused on the medium of paper cutting, working in a free, manual, and intuitive manner.
My work unfolds in the elusive space between memory and fiction, between personal experience and family or collective myths. The geographical and emotional starting point of my art is rooted in La Peña Lara—a secluded island on the Río Capitán in the Tigre Delta, Argentina. It is the place where I grew up, and which, over the years, has transformed from a tangible landscape into an internal, mythical, charged, and persistent one. In recent years, I have focused on the medium of paper cutting, working in a free, manual, and intuitive manner.
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